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Kama Sutra: A Tale of Love

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Kama Sutra: A Tale of Love is a 1996 Indian historic, co-produced, and directed by Mira Nair. It takes its title from the ancient Indian text, the Kama Sutra and serves as a common link between the characters. The film stars Rekha, Indira Varma, Ramon Tikaram, and Naveen Andrews.^[3] The English-language film was produced by British, German and Japanese studios.

Declan Quinn won the 1998 Independent Spirit Award for Best Cinematography for his work in the film.^[4] Kama Sutra was nominated for the Golden Seashell award at the 1996 San Sebastián International Film Festival and was screened at the Cannes Film Festival.^[5][6] The film generated controversy at the time of its release and was banned in India due to its erotic theme and sexual content.

 

In 16th-century India, Tara is a princess while Maya is her beautiful servant. They are best friends, but there is an undercurrent of jealousy and resentment, symbolised by the fact that Maya is given Tara's hand-me-down clothes and never anything new to wear. As the girls approach marriageable age, Tara resents that Maya is a better classical dancer than she is and that her parents and hunchback brother, Prince Bikram (aka "Biki") show affection for her servant.

Tara is prepared to marry Prince Raj Singh, but when the prince comes to view his future wife, he is instantly infatuated with Maya instead. Noticing this, Tara spits in Maya's face and sends her from the wedding in tears. Maya takes revenge when by seeking out Raj and having sex with him, before he has completed the marriage rites with Tara; Biki, hiding, watches the two of them.

As Tara is leaving home as a newlywed, Maya tells her that just as Maya wore the princess's used clothes all her life, Tara will now have something Maya has used. During her wedding night, Tara is hesitant to consummate their relationship. An angry Raj rapes his horrified bride, even calling her Maya, setting a tone of violence and humiliation for the marriage. Despite this, Tara still yearns for a loving relationship with her indifferent husband.

To save Maya's honour, Biki sends her a marriage proposal. When she refuses, he publicly brands her as a whore, and she is forced to leave her home. Wandering on her own, she meets a young stone sculptor, Jai Kumar, who works for Raj. He reveals that Maya has been the inspiration for his beautiful and highly erotic statues. Jai takes her to an older woman named Rasa Devi, who is a teacher of the Kama Sutra. Maya begins an intense romantic and sexual relationship with Jai that is abruptly halted when he fears he might not be able to work properly with Maya consuming his thoughts. Maya finds comfort with Rasa Devi and decides to learn the courtesan's art.

Raj, now the king, recognises Maya in one of Jai's sculptures. He dispatches his attendants to find Maya; she is delivered to the king as his new courtesan. Soon after, Raj and Jai have a wrestling competition, which Jai wins. Jai receives the king's favour but is warned that there will be dire consequences if he defeats the king again. Jai then learns of Maya's new status as the favoured concubine. Jai understands that his king is a dangerous man and he must keep his former relationship with Maya a secr